Color
YETI + WSL Documentary Series
Behind The Scenes Of Broadcasting A WSL Event, As Told By Jason McInnes (2024)
A key player on the WSL broadcast team, Jason McInnes shares what it’s like bringing a surf competition world-wide as well as where he pursues his own personal creativity.
Bells Beach As Told By Anthony Hume (2024)
Anthony Hume, a.k.a. ‘Humey’, is a member of the WSL site team at Bells Beach. Hume highlights the spiritual significance of the natural amphitheater of Bells Beach especially during the opening ceremony for the event, which he has been a key part of for the past 15 years. He emphasizes the significance of the opening…
Surf Forecasting In Portugal – As Told By Miguel Fortes (2024)
Miguel Fortes breaks down his role in forecasting surf conditions along the Portuguese coastline. Miguel shares the pressures and difficulties of decision-making in his role and reflects on the growing surfing community in Portugal, highlighting its generational evolution and the values it instills; respect, sharing, and connection with nature.
A Life of Surfing As Told By Leah Dawson (2024)
Leah Dawson grew up a weekend warrior on the nose of her father’s board in Florida. As her heart led her to Hawai’i, her creativity for capturing a frame blossomed alongside it. As an integral part of surfing event broadcast teams, her eyes have helped capture some of the most memorable moments in WSL history…
Hawai’i, As Told By Kimo Leong (2024)
Kimo Leong’s legacy as a prominent and influential Hawaiian is known across the Islands for taking care of his home. Leong and Kanaka Solutions share the true meaning of malama by taking care of, protecting, and spreading Aloha wherever he and his team are.
Miscellaneous
The Woodster (2025)
Coming Soon
Blues For Herold (2024)
A surrealist drama that explores the compromised relationship between brothers, Herold and Magnus, as a golden trumpet and a world of “bliss” begins to tear them apart.
Day-for-Night and Sepia Look Testing
Color tests were conducted in pre-production for Thesis film. Test 1 shot with Blackmagic Raw codec Test 2 shot with X-OCN ST codec
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